The way I'm using it now is with the AGS circuit engaged, gain set low to give me a little "tubey" sound. But you really can't use it as an overdrive effect. The Tone Hammer is a great DI and a great preamp. Now.it's time for that song in your set where you need to kick in that drive.AND YOU'RE NOW THIS FREAKIN LOUD AND EVERYONE HATES YOU AS YOU SCRAMBLE TO TURN YOUR BASS VOLUME DOWN.WHAT? I CAN'T HEAR YOU? DID YOU SAY SOMETHING? You get your Tone Hammer EQ set JUST right. The AGS circuit has no provision for any sort of unity gain. The Tone Hammer has one flaw.one damn flaw. I love the Tone Hammer, so why look elsewhere? On deck to win the coveted spot currently occupied by my Tone Hammer are: So, the experiment begins in a few days as the players are currently in transit.
Cioks DC5 - Isolated power that fits UNDER a Pedaltrain Mini.Turbo Tuner - If you are using any othter tuner, throw it in the garbage.get one of these.MXR Bass Compressor - basic, simple, effective.and the little meter shows you it's working.A million pedals in one box and very, very high quality audio. Eventide H9 - Anything you can freakin' imagine.Aguilar Tone Hammer - DI.and some added AGS for a little character.No offense to Tech21 fans.just not for me. SansAmp BDDI - I just never liked this pedal from day one.Zoom B3 - Ah.so many good things in this inexpensive unit.Radial JDI - Similar to above.just a great DI.Countryman 85 - my first ever DI back in the day.That said, I've been experimenting with DI boxes and pedals for several years. Of course, we all know that tone needs to change to support the song and type of music you play, and one man's "perfect" is another man's "completely f'ed up beyond all recognition". I love to tinker, and I'm always looking for that elusive "perfect" tone.
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